Why Zines and Independent Publishing are Important for Communities
My best friend Becky and I weren’t aware of the long history
surrounding “zines” when we first started making our own. As described by
Barnard Zine Library, “A zine is a self-publication, motivated by a desire for
self-expression, not for profit.” Similarly, for Becky and I, zines presented a
creative outlet, a module that provided space for our own writing, reviews and
art. Additionally, the process of zine creation provided us with a productive
way to spend time together, hang out, and process the world around us. They
placed the power of publishing into our own hands. Using a sewing machine, we
bound about 50 issues of our first zine, Grand,
which we gave away to friends and family. Becky and I didn’t expect fame and
fortune through the publication, but in Grand’s
finished pages, we encountered something much more valuable – the realization
that power of publishing can belong in the hands of individuals possessing
paper, a pair of scissors, glue and of course, the will to create and share.
Independent publishing is essential considering the fact that
top publishing houses most often release material that makes an appeal to a
broad mainstream public. This naturally reflects the corporation’s motives for
making a profit. Books and magazines devoted to independent voices are rarely
printed by large publishing houses. Authors of books featuring less favored
opinions, themes, or material may encounter great difficulty in releasing even
the smallest of print-runs. Most of the material published by such large houses
usually appeals to mainstream tastes, which are often exclusive of voices that
make local communities unique and colorful. Zines and
other small-scale publications insure that voices not often heard are recorded
by encapsulating the work driven by ideas, passion and craft.
Many organizations today understand the importance of
small-scale, independent publishing and zines. Libraries and book stores across
the nation have begun to incorporate zines into their collection. One such
library is the Barnard Zine Library, which was established at Barnard College
of Columbia University in 2003 by Jenna Freedman and whose collection is
catalogued in WorldCAT, the world’s largest network of library content and
services. Other organizations that currently house and/or promote zine
publications include the New York Public Library (NY), University of Michigan
(MI), Hampshire College (MA), Papercut Zine Library (MA), The Soapbox:
Philadelphia’s Independent Publishing Center (PA) and the Independent
Publishing Resource Center (OR, among others.
These organizations believe that housing zine collections is
important to their communities. The Barnard Zine Library’s collection is
welcomed by both the academics and students of Barnard community. Carol
Falcione, the Dean of Information Services at Barnard, summarizes the
importance of the Zine Library to not only the Barnard College campus, but also
society at large as “zines offer an atypical, non-traditional take on popular
culture and give voice to the social and political perspectives of
contemporary, non-mainstream society. The research potential of this material
can never be explored or fulfilled if it is not collected, preserved and made
accessible in some organized fashion” (Freedman, 4) Another opinion of the Zine Library was expressed by Jennie Rose
Halperin, a sophomore at Barnard, who said that “learning about zines has
opened a new door in exploring media and art for me. Ever since I discovered
the zine collection at Barnard, I have been thrilled to have it as a part of my
library. Zines are an incredible resource for me as an activist, as a writer,
and as a woman.” (Freedman, 4)
Other organizations
that promote zine literacy include Microcosm Publishing and Distribution (M.P.
is a small publisher of zines, books and other material, while latter, M.D., spotlights independent
art and publishing “while helping provide tools for self-sufficiency and
empowerment, Pioneers Press, Bluestockings (an volunteer run bookstore
and activist center in Manhattan), and among many others, Maximumrocknroll (a monthly fanzine
dedicated to “supporting the underground punk rock scene” for over 25-years).
In a recent Mercer
County Library blog entry, “Comic-Books, a truly American Literary Format”, I described a comic-book
writing workshop geared for children ages 7-11. As part of this program, the
participants not only create comics, but they also learned about
self-publishing. The collection of comics they created were printed into
zine-formatted anthologies. Through such projects, the power of publishing was
placed directly into the hands of children.
Zines and
small-scale publishing assures that voices not commonly heard are recognized
and recorded. They are vital to not only communities and culture that aren’t
commonly part of the mainstream culture, but to all interested in creative
expression. In addition, as evidenced through the comic workshop provided at
the West Windsor Branch of the Mercer County Library System, zines and other
small-scale publications provide meaningful spaces of expression for children.
The communities that represent our great nation are diverse and colorful, and
their voices and history will continue to be recorded through independent and
small-scale publishing.
References
Freedman, J. (2008). Barnard Zine
Library Zine. Barnard College.
-Dragana D.
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